I've noticed that, both the 88RS and the LA3A have a \"ROUNDER\" sound than the previous UAD-1 plug-ins. I guess UA had some secret breakthrough during this release.
I too prefer the LA3A over the LA2A. It's more focus, and less dirty.
About the 88RS, at first I wasn't too impressed. The EQ sounded less exciting than the 1073/81, and the Limiter/Compresser was really blank comparing to the new LA3A.
Yet after I played with it for a while, my started to hear something happening.
The first thing to notice was that I worked faster. It gave me a feeling like working on a console's channel stripe. I don't have knobs to turn with my fingers of course, but it's really fast. Click, then drag and listen and \"hmmm, this is it.\" Within 30 seconds I got all the EQing done the way I want it to be. Then some tweaking on the L/C section and it's done.
The difference was that, I didn't want to go back and check anymore. Strange. I don't understand why, but it's a good thing.
Then it's the sound. They sounded really blank at first, especially the L/C sectoin; yet when I got the settings right, it sounded more like from a console than any other plug-in combination.
Now this is where I'm amazed by UA's emulation ability. Plug-ins are still more boxed and sterile and plastic than hardwares, and still compressor plug-ins cannot compress more than 6dB without muffling the sound, yet besides these \"universal weakness of all plug-ins\", the 88RS really has a console sound.
I'm seriously considering doing one mix mostly with the 88RS (with \"major tracks\" using my precious outboards, of course) and see how it'll sound like. Maybe we ARE starting to have a virtual Neve Console inside our DAW eventually.
Last but not the least, great work UA! b 8) d