Hi,
I've decided I -hate- the way my vocals (high baritone/low tenor) are coming out these days. It's a steady decline. I keep getting sucked more and more into what to -me- is the very -fat- compressed and dry sound which seems to pervade today's music.
Sadly, I'm the kinda guy that -needs- a lotta compression. Lotta voice. Lotta dynamics.
For several years I've been using LA-2A on my voice along with a variety of FET large condenser mics.
Ironically, I almost things were better back when I was simply using an SM-57.
I'm looking to get to a very -clear- and airy sound with no proximity effect and none of the 'roundness' of most of the vintage comps which seems like it puts the mic about 2mm in the listener's face.
Any suggestions on using UAD plugs for this application? I know I'm being vague, but ya gotta start somewhere.
Thanks in advance!
---JC
I've decided I -hate- the way my vocals (high baritone/low tenor) are coming out these days. It's a steady decline. I keep getting sucked more and more into what to -me- is the very -fat- compressed and dry sound which seems to pervade today's music.
Sadly, I'm the kinda guy that -needs- a lotta compression. Lotta voice. Lotta dynamics.
For several years I've been using LA-2A on my voice along with a variety of FET large condenser mics.
Ironically, I almost things were better back when I was simply using an SM-57.
I'm looking to get to a very -clear- and airy sound with no proximity effect and none of the 'roundness' of most of the vintage comps which seems like it puts the mic about 2mm in the listener's face.
Any suggestions on using UAD plugs for this application? I know I'm being vague, but ya gotta start somewhere.
Thanks in advance!
---JC