Jeraz
Active Member
Updated links. Was still the old link until 2 PM EST 4/02. Sorry!
This is my first song mixed with the Helios 69 EQ. It’s actually re-master from an earlier version, and both are on my site, at 192kbps.
The song is a little weird, but is a good one to play with, since it is vocal + guitar only, and tracked pretty cleanly. The noise in the beginning is handling noise. I was going to remove it, but recently listened to a Bensusan album where you could hear the guy breathing and moving all over the place, and after that, figured, \"to heck with it\".
The first version, this one:
I Found Me (Original)
-Guitar: Used only Gliss EQ with a -6dB trough around 200Hz, but set Gliss so that only big transients were EQ’d (sensitivity setting of 2 on that band). Real gentle, passive EQ in Samplitude’s AM*PHIBIA analog modeler.
-VOX: Used only Voxengo Voxformer’s built in EQ with a little dip at 950Hz, plus Samplitude’s built in EQ with a trough of -2dB at around 3K, and a +1db shelf at 4K
No EQ on the master. Real gentle, passive EQ in Samplitude’s AM*PHIBIA analog modeler on mids and highs (no settings…that plug is done by ear)
New (Helios) version:
I Found Me (Helios Version)
-Guitar: Flattened Voxengo Gliss trough by 2dB; added Helios with -9dB 50Hz Bass setting, -1d on 700Hz, and +2dB on 10kHz, and boosted gain by rotating knob to not quite 3PM.
-VOX: flattened Voxformer EQ; eliminated Samplitude EQ altogether; added mono Helios on vox stem with only a -1dB trough at 3.5K and no gain change; added another, stereo Helios to the Vox buss, after compression and before reverb, with Bass set to -9dB, a mid trough of -6dB at 1kHz; and +2dB at 10kHz.
Interesting results…this is my first pass with this, and is really sort of a Band-Aid mix—I plan on doing a re-master from the ground up, utilizing the Helios, but thought it might be fun to see what’s possible just “fitting in” the Helios to an existing work.
All tracks through a John Hardy M-1 (2-channel), direct into the RME FF800 (I didn’t have the API A2D back when I recorded this, or I would have used its ADs, which to my ears sound somewhat smoother, with less “hype”...and that is a relative statement, because when not A/Bing, the RME sounds great to me).
Thoughts?
This is my first song mixed with the Helios 69 EQ. It’s actually re-master from an earlier version, and both are on my site, at 192kbps.
The song is a little weird, but is a good one to play with, since it is vocal + guitar only, and tracked pretty cleanly. The noise in the beginning is handling noise. I was going to remove it, but recently listened to a Bensusan album where you could hear the guy breathing and moving all over the place, and after that, figured, \"to heck with it\".
The first version, this one:
I Found Me (Original)
-Guitar: Used only Gliss EQ with a -6dB trough around 200Hz, but set Gliss so that only big transients were EQ’d (sensitivity setting of 2 on that band). Real gentle, passive EQ in Samplitude’s AM*PHIBIA analog modeler.
-VOX: Used only Voxengo Voxformer’s built in EQ with a little dip at 950Hz, plus Samplitude’s built in EQ with a trough of -2dB at around 3K, and a +1db shelf at 4K
No EQ on the master. Real gentle, passive EQ in Samplitude’s AM*PHIBIA analog modeler on mids and highs (no settings…that plug is done by ear)
New (Helios) version:
I Found Me (Helios Version)
-Guitar: Flattened Voxengo Gliss trough by 2dB; added Helios with -9dB 50Hz Bass setting, -1d on 700Hz, and +2dB on 10kHz, and boosted gain by rotating knob to not quite 3PM.
-VOX: flattened Voxformer EQ; eliminated Samplitude EQ altogether; added mono Helios on vox stem with only a -1dB trough at 3.5K and no gain change; added another, stereo Helios to the Vox buss, after compression and before reverb, with Bass set to -9dB, a mid trough of -6dB at 1kHz; and +2dB at 10kHz.
Interesting results…this is my first pass with this, and is really sort of a Band-Aid mix—I plan on doing a re-master from the ground up, utilizing the Helios, but thought it might be fun to see what’s possible just “fitting in” the Helios to an existing work.
All tracks through a John Hardy M-1 (2-channel), direct into the RME FF800 (I didn’t have the API A2D back when I recorded this, or I would have used its ADs, which to my ears sound somewhat smoother, with less “hype”...and that is a relative statement, because when not A/Bing, the RME sounds great to me).
Thoughts?