sadkin
Venerated Member
I'm not really sure if this is a Luna exclusive thing but I have been sitting on this for awhile and I'm finally gonna just ask here, report my experience/issue and learn what I am (likely) doing wrong with what is pretty simple internal (ITB) routing. I also tried doing a 'keyword' search on this forum regarding this and couldn't find anything so I am sure it is something I am fouling up like a fool so here goes -
When I create a bus as an Aux return for effects and 'send' to that effect bus using the send pots from instrument channels, I generally find that flipping the phase on the Aux bus channel sounds 'better', more full - nearly 100% of the time. When I don't flip the phase on the fx bus channel the cumulative sound of the effect can best be described as - subtly emptier, subtly more hallow - perhaps a bit boxy. Flipping the phase corrects this to my ears.
I perceive this little 'phase' issue so consistently that I've stopped routing to effects like this and instead create separate busses with effects that I route to via instrument channel outputs - so that the instrument track is routed to both the Main out as well as to those busses which contain the effects, then simply blend the loudness of the effect by blending that buss' fader - no flipping of the phase required.
Yes, it makes sharing effects between multiple instruments tricky (and uncommon) but with the strength of the Mac Studio and my UAD DSP, I've been so far content enough to just create more busses with effects specific for anything I want to treat.
Also, to quickly clarify -
- yes, I am making absolutely sure effects are set to '100% wet'
- typically mixing in 96k
- using Cranesong HEDD as a master clock and have my Apollos slaved to it
I feel ridiculous reporting this experience and sharing something which should be totally elementary but, alas, I've simply not noticed it before in all my years. However, that said, Luna is the first DAW i've used where there aren't specific 'Aux Return' channels compared to all my years in Ableton (which prompts one to create Aux Return tracks). Instead, just creating busses in LUNA and simply choosing how one wants to route to said bus, be it via aux send or channel output. I think one day, unsatisfied, I just tried flipping the phase on an effect bus and suddenly heard the speakers pushing, the sound & effect become more full and pronounced and proceeded to work this way until more recently foregoing using Aux sends altogether.
Any insight, suggestions or tips? Anyone want to point and laugh? Let me have it.
When I create a bus as an Aux return for effects and 'send' to that effect bus using the send pots from instrument channels, I generally find that flipping the phase on the Aux bus channel sounds 'better', more full - nearly 100% of the time. When I don't flip the phase on the fx bus channel the cumulative sound of the effect can best be described as - subtly emptier, subtly more hallow - perhaps a bit boxy. Flipping the phase corrects this to my ears.
I perceive this little 'phase' issue so consistently that I've stopped routing to effects like this and instead create separate busses with effects that I route to via instrument channel outputs - so that the instrument track is routed to both the Main out as well as to those busses which contain the effects, then simply blend the loudness of the effect by blending that buss' fader - no flipping of the phase required.
Yes, it makes sharing effects between multiple instruments tricky (and uncommon) but with the strength of the Mac Studio and my UAD DSP, I've been so far content enough to just create more busses with effects specific for anything I want to treat.
Also, to quickly clarify -
- yes, I am making absolutely sure effects are set to '100% wet'
- typically mixing in 96k
- using Cranesong HEDD as a master clock and have my Apollos slaved to it
I feel ridiculous reporting this experience and sharing something which should be totally elementary but, alas, I've simply not noticed it before in all my years. However, that said, Luna is the first DAW i've used where there aren't specific 'Aux Return' channels compared to all my years in Ableton (which prompts one to create Aux Return tracks). Instead, just creating busses in LUNA and simply choosing how one wants to route to said bus, be it via aux send or channel output. I think one day, unsatisfied, I just tried flipping the phase on an effect bus and suddenly heard the speakers pushing, the sound & effect become more full and pronounced and proceeded to work this way until more recently foregoing using Aux sends altogether.
Any insight, suggestions or tips? Anyone want to point and laugh? Let me have it.