BeingHumans
Active Member
I wanted to get one when I had my HC30, but I reluctantly never pulled the trigger.That Matchless pedal is/was kind of a ‘sleeper’. Folks didn’t really know how to use it.
I wanted to get one when I had my HC30, but I reluctantly never pulled the trigger.That Matchless pedal is/was kind of a ‘sleeper’. Folks didn’t really know how to use it.
i’ve used the remic feature in OWS for drums. Admittedly, it was more of a rescue situation than anything else. I might be tempted to do the same with SCS as an experiment.Has anyone found a good use for the remic mode? Every time I try it, it’s too much and I go back to reverb and blend it. I’m sure there are good uses for it, and I’d like to try but have struck out so far.
edit: I’ve used remic on OWS many times, SCS just seems different.
That’s the thing I can’t figure out. It does work in OWS, but every time I try in SCS it’s too much. I’m not sure what I should expect, but it’s dramatically different.i’ve used the remic feature in OWS for drums. Admittedly, it was more of a rescue situation than anything else. I might be tempted to do the same with SCS as an experiment.
jord
Remic Mode in OWS is for sure more "hifi" and less about color and more about the sound of the highend mics that are modeled.Is ReMic mode better of more useful in OWS?
I never had UAD and SCS is my first plug but always wondered about OWS.
What is the honest comparison from users of both?
This is my first impression of SCS as well. It's all about various shades of glorious Rock, and that's mostly what we do.But if you're looking for vibe, grit, personality, SCS will be your jam.
I'd encourage you to try it on as many things as possible and ignore the voicing names. For example, Strings for drums etc.Maybe string sections, synth pads, and background vocal stacks could benefit too?
I can't speak for OWS but when I was using this plug, I liked remic best. You have to really play with the mics/distance IIRC, but the other way sounds a bit.....thin to me.Has anyone found a good use for the remic mode? Every time I try it, it’s too much and I go back to reverb and blend it. I’m sure there are good uses for it, and I’d like to try but have struck out so far.
edit: I’ve used remic on OWS many times, SCS just seems different.
The dose makes the poison. What works for me on acoustic drums is to send individual tracks - sometimes OHs only - to a SCS bus. I don’t care about remic or reverb mode that much, it’s just another option to play with.What I'm curious about now is why there are so much "Drum" presets that are set at Re-mic mode. Is it for Drum machines DI rather then anything acoustic you think?
Yes. On an AUX you have a better chance. I had to create another AUX with Dry Drums Mono'ed. And blend that in so the Drums don;t fall apart when Mono'ed. But still have a Phaze being too Audible. I'm learing les is more for sure. Would love a little more though...The dose makes the poison. What works for me on acoustic drums is to send individual tracks - sometimes OHs only - to a SCS bus. I don’t care about remic or reverb mode that much, it’s just another option to play with.
EQ after SCS most of the times, at least hipass or up to something like the ‚abbey road curve‘.
I use the fader of that SCS bus to mix it back in, always double check to not overdo it, less is more.
Greetings. I can try to find the time to do this as I have it in Re-Mic mode on a project that I am mixing with "bedroom" drumsI would love to hear some examples of remic mode with it being bypassed so we could hear the “dry” and effected drums or even other instruments….. I have not gotten one usable sound out of remic. Reverb is on every song I have done since getting the plug in
cheers
Wiz