So I fell off the edge of the Earth last week.
I disabled the second card so I could see how many plugins my system will run on one card.
On a session with 16 mono audio tracks, 3 stereo audio tracks, 3 Midi tracks, 7 stereo Aux's, and one stereo master fader, I'm running two stereo 1176's, one stereo Fairchild, one stereo Precision Limiter, one stereo EMT 140 and one Stereo Pultec Pro.
The system is PTLE/002 rack/G5 dual 2.0/6 G RAM/two internal 200G SATA drives, one external 70G FW 400 drive with BFD sounds on it, BFD running as a ReWire (when I bounce, it won't be ReWired), Arturia's Moog Modular as a plugin for sub-bass reinforcement, and session at 24 bits, 44.1kHz.
Also have several instances of McDSP's MC2000 compressor and URS EQ's on individual channels.
I use a couple of different guitar amp emu's, Nigel included. When I do, I dupe the track the emu is on and make the original inactive, then I \"print\" the emu to the track to save DSP.
Hope this info helps.
An interesting conversation occured shortly after this \"test\" between one of my co-op studio partners and myself. We were discussing mixing and working \"in the box\" vs. analog summing and recording to tape.
My home system has cost about $14,000. In the early '90's I had a home recording rig that cost about $11,000. When I compare the output of the old system to the new, I've come to one conclusion: more work is getting done on the new system. For all that I spent on the old system, the \"console\" was never very good, and even when I finally got to work with a TAC Scorpion, it didn't get much better. Also, my last tape machine was an Otari 5050, and it sounded beautiful, but only had 8 tracks. On top of all that, I never was able to get a mixdown \"deck\" that I liked the sound of. I think that despite the constant \"bagging\" many of us give the ITB systems, we're better off now, overall.
Rant over.