Interesting. Try printing them both and doing a blind A/B/X test and see if you can pick out the sweeter one 10 times in a row!Ok this is going to divide opinion - Im demoing them side by side on a rough mix with drums/bass/guitar and they sound different. PA gentler and sweeter to my ears. They do indeed look identical apart from the PA version having Brainworx written on the VU meters and the mix and sc filter knobs positioned on top right outside the GUI where PA plugins always have the A B C D settings so you can compare and try different setups. Im monitoring with Sennheiser HD650 through my Apollo Silver.
They sound different based on identical settings on all knobs I tweaked- the good thing with S Hills compressor is all settings are numbered so its an easy 1 to 1 setting comparison getting them in identical positions. What Im hearing isn't drastic but its undoubtedly there and here are my thoughts:
On all three settings of Nickel/Iron/Steel I find the PA version to be not as muddy/bassy and more feather soft and light on the highs, sweet and forgiving for mids and highs which is more pleasant than the UAD one. I also found myself enjoying the glue it was giving more than UAD, tracks feel smoother and less separated. Must have to do with subtle release movements on the compressors or at least one as I have both Optical and Discrete engaged at around 1db compression each (not much I know, I wanted subtle effects).
The UAD is grittier and bassier and PA definitely doesnt have the same low mid push but the highs on PA are nicer. UAD highs are a bit dull. This is on Iron setting but on Nickel too where this difference really is obvious.
I think I should upload some audio so you guys can hear rather than just read comments. I'll try to do that now.. would love to hear what others think when they've done A B comparison too.
And the Ampegs.OK, so if they are honest about the exclusivity then this will be next and only releases :
Friedman Collection
Diezel Herbert
Fuchs Train II
But the Ampegs are advertised as EXCLUSIVE. And if that's not the case, then that's a fu cking lie. And that's a reason to be mad to me.And the Ampegs.
I think Dirk hinted on Facebook that "a couple of bass amps" was going native. Must be the Ampegs.
Anyway, I don't see any reason to get mad. The UAD platform is not about exclusivity, or having what others can't have, but about DSP and the Unison technology. For me at least.
I'm of a different school of thought I guess. I personally got into UAD because of the quality of the plugins and it's exclusivity, not really because I was trying to save DSP. I'm certainly not mad at seeing some of UA's plugs going native, but it does kinda water down the 'privilege' of owning UAD equipment.And the Ampegs.
I think Dirk hinted on Facebook that "a couple of bass amps" was going native. Must be the Ampegs.
Anyway, I don't see any reason to get mad. The UAD platform is not about exclusivity, or having what others can't have, but about DSP and the Unison technology. For me at least.