You would still need to select which track(s) to use. And what if you wanted to record 1 dry and 3 wet? How would it know?Would love the option to record both at the same time. I suppose there might be a fancy way of doing some funky routing to do this, but it would be awesome to be able to just push a button and record both the clean and the effected chain to your DAW without much fuss...
With the way Console 2 works now wouldn't you still be able to have the plugins on the main input strip and just make sure to set the "Insert Effects" to MON?1. Guitar goes into Hi-Z-1, and the level set in Console. NO plug-ins on this channel, because you want it recorded dry.
2. Also in Console, the "Insert Effects" (the Rec/Mon button on the right) is set to Monitor. You don't want the channel in Console sending a wet signal to the track.
OH! Probably. Let me know.That's why they made preferences and GUIs
With the way Console 2 works now wouldn't you still be able to have the plugins on the main input strip and just make sure to set the "Insert Effects" to MON?
I guess I'll have to try this out for myself
Yep in fact it does work fine. I put all the effects on my main input channel, set the record to monitor only, and then sent the wet signal to the aux and it all recorded as expected.OH! Probably. Let me know.
:- Don
I think that the new version of Console 2 compensates for that (as long as you've set it up in preferences), no? I'll have to take a closer look at the scratch track I recorded with it but I didn't notice it off the top of my head (32 samples when running through the Marshall Plexi plugin is probably not all that noticeable!)But doesn't the aux have a 32ms delay? Phase issues?
Update:
Sorry, just read the other thread, it's 32 samples, so make sure to line them up
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if i understand you correctly, that would be a great idea,I think one solution could be to have an "Enable dry inputs" option in the preferences. Then you'd be able to select the dry inputs in your daw as "Input 1 - Dry, Input 2 - Dry" etc.
That way you'd still keep the Console GUI simple yet allow both options for "advanced" users.
if i understand you correctly, that would be a great idea,
basically double all the audio driver inputs like that:
input 1 - dry
input 1 - wet
input 2 - dry
input 2 - wet
...
and then you can choose in your daw which inputs
amazing idea!!
That's easy. Simply zoom way in to check it by looking at a transient, then nudge one track 32 samples left. There is actually a command for it in Reaper, and I suspect that will be true of most DAWs - in case compensation doesn't work.I don't know if it compensates, it could be a problem if you'd record a bass dry and wet
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I just verified today. Compensation does not automatically do this for you and there was indeed a 32 sample nudge required. DP has the ability to set the nudge value so it wasn't a big deal, but good to know. It was kind of hard to tell with the first stuff I tried with this, but when I tried it again today with some mellower stuff the difference was pretty obvious, you could hear the phase shift right away, and then when zooming in and looking at the waveforms it was very obvious to see. The nudge sorted things out nicely though.That's easy. Simply zoom way in to check it by looking at a transient, then nudge one track 32 samples left. There is actually a command for it in Reaper, and I suspect that will be true of most DAWs - in case compensation doesn't work.
:- Don
Reaper has the nudge command, and it can be set in samples, or time in ms. An instrument dry and wet at the same time will have comb filtering, even at a 1 or 2 sample difference. I was playing with it yesterday, and demoed the IBP Phase Alignment Tool. It is an interesting tool for also adding comb filtering (flange effect) if you wish.I just verified today. Compensation does not automatically do this for you and there was indeed a 32 sample nudge required. DP has the ability to set the nudge value so it wasn't a big deal, but good to know. It was kind of hard to tell with the first stuff I tried with this, but when I tried it again today with some mellower stuff the difference was pretty obvious, you could hear the phase shift right away, and then when zooming in and looking at the waveforms it was very obvious to see. The nudge sorted things out nicely though.